I’ve been crazily in love with Lord Worth, the most delectable fictional male I have ever read about, ever since I first discovered his existence nearly five years ago. Unfortunately, he is a creation of Georgette Heyer, a writer who just about falls short of intellectual respectabilty, especially in today’s reading landscape where a novel just has to boast self-involved characters, a rambling, pointlessly eventful plot and a seemingly pressing need to ‘expose’ the depressing nature of our world in order to be celebrated and seen as conferring intellectual distinction on whosoever chooses to read it.

Phew, long sentence. But quite apart from digressing into my usual argument pitting popular vs. literary and the relative merits of either category, this isn’t an angry defence of my right to read Heyer without feeling the guilt I ‘ought’ to feel, but rather, an attempt at defending my right to construct, embellish and maintain illusions as a conscious choice I should be allowed to make.
Lord Worth in Heyer’s own words:
“He had a look of self-consequence; his eyes, ironically surveying her from under world-weary lids, were the hardest she had ever seen, and betrayed no emotion but boredom. His nose was too straight for her taste. His mouth was well-formed, firm but thin-lipped. She thought he sneered. Worse than all was his languor. He was uninterested, both in having dexterously averted an accident and the gig’s plight. His driving had been magnificent; there must be unexpected strength in those elegantly gloved hands holding the reins in such seeming carelessness, but in the name of God why must he put on such an air of dandified affectation?”
The story this evidently fantastic creation (for which modern man could ever live up to so much?) inhabits is one that displays his intelligence, his determination and his foresight in a manner that is artfully calculated to make him attractive (both to his fictional heroine as well as the starry-eyed female reader). Unfortunately, as most women discover once they’ve been in a disappointingly mundane romantic relationship or two, Lord Worth is a scarce commodity, especially in a 21st century that is concerned with destroying those two all-pervasive illusions that mankind has held onto for hundreds of years: Love and God.
God, as most intelligent, articulate beings of a certain economically-forward and educated class will assert, is a fictional creation, designed to provide some sense of purpose and order in an essentially
chaotic existence. Our social systems, our senses of self, our lives are lived on the assumption that there is some sort of meaning to the successive events our lives inevitably revolve around: birth, primary education, secondary education, employment, marriage, reproduction, old age and death. Without God, without concepts of duty and morality, the social structures that we have created around the above events collapse, as it has now. Let it be noted that I’m not judging this collapse negatively, I’d rather proffer no opinion on this point!
Anyway, now that God’s out of the way, the next major illusion is Love. For centuries, we’ve been telling ourselves, helped along by culture’s minions Art and Literature, that the ultimate source of meaning (on earth) is Love. And what is love, in 21st century psychobabble, but an illusion we’ve constructed to act as not just a source of comfort, but also a convenient excuse for lust?
In our enlightened times, however, we feel no need for such illusions. God is inferior to money, love is inferior to lust – or rather the former is too distant an objective when faced with the possibility of immediate gratification, as afforded by the latter, in each case. In such a world, Germaine Greer’s dissection of Heyer’s heroes (Lord Worth in particular) as being part of the “romance myth” and the “rituatlization of sex, which is the essential character of romance” might be accepted as enlightened, intelligent and praiseworthy.
My argument is not about the relative merits or demerits of either situation; I’m not saying religion and romance are illusions that are to be hegemonically enforced. What I do object to, however, is the general perception of their antithesis, their overturning and dissection as being the work of a superior understanding.
Perhaps I’m alone in thinking so, but I certainly think it a braver thing to knowingly hold on to an illusion merely in the hope that it offers more meaning to one’s life, than to throw all of one’s beliefs away simply because that act would bring one the most approbation from the world at large. I suppose, in a nutshell, what I’m attempting to say is – let me keep my Lord Worth and scorn him if you like, but don’t you dare judge my intelligence on the basis of the illusions I choose to perpetuate for myself.




