it’s not a slow dance, this modern romance

As usual, I’ve left my reading for class till the nth hour (literally), so I’m attempting to read very fast. But Derrida, whose reputation for incomprehensibility is notorious, does not lend himself to speed-reading. Contrary to expectation, I’ve found him remarkably exciting, thus far. Reading theory seems to me to be the intellectual’s fix: it’s a way to read about the mundane world in abstract, even astonishing terms. It makes everything new, it peels the layers off, one by one, in a tantalising strip-tease of ideas but what you find underneath is nothing like you expected.

I’ve decided to reform my decadent ways. I’ve been sleeping too many hours a day, watching too much House, spending too much time on Facebook talking to people I really don’t care about except as sounding-boards for my boredom and neglecting the pursuit of potentially intellectual things. And of course, eating way too much junk.

No more of this, I say! Nose to the grindstone, back to the wall, nose in a book, and all the other cliched metaphors you can think of for serious study in response to the peril of being proven second-rate shall be the order of the day.

In other news, Ireland tickets have been bought. Now we just need to find places to stay, things to do and of course, a damn visa that allows us to enter!

Ah, I could have spent words uselessly on questioning my actions, recent and imminent, but I’ll save it for another rainy day.

honey, i’m still free, take a chance on me

:)

One of those moments when something you did, or said, or saw in the past comes back to you suddenly, crystal-clear, and makes you smile, right there in the street. A self-deprecating, self-indulgent, inward-looking, happily bittersweet smile.

Hands in your pockets against the cold, someone stops you on the street, makes the music stop for a moment:

“Can I borrow a cigarette please?” “Yes, of course”

And you walk on.

Thoughts, like people, whirl around your brain. You’re walking roads with people who don’t exist, whose existence is in your memory, who have never seen the streets you’re on. Alternate versions of events march past, one after the other, in an orderly chaos of might-have-beens. You don’t dare close your eyes, for fear of what you might see.

The breeze blows away the evidence, but the question, unasked and unanswered, lingers in the air.

Faint, fading.

We do strange things in the night that the morning makes us question. But which was more real, night or morning?

you’re a dancer on thin ice

And you go dancing through doorways
Just to see what you will find
Leaving nothing to interfere
With the crazy balance of your mind
And when you finally reappear
At the place where you came in
You’ve thrown your love to all the strangers
And caution to the wind

It takes love over gold
And mind over matter
To do what you do that you must
When the things that you hold
Can fall and be shattered
Or run through your fingers like dust

‘Love over Gold’ – Dire Straits

People are confusing. Constantly calculating the effect of their words on you, on themselves, it’s hard to tell if they ever say what they really mean. Must we create these alternate-selves, these potentially perfect people in order to hide what we really are? And what is that? Small-minded, self-absorbed, cautious, fearful creatures whose lives are comprised of layers of fictions.

Words on the page are easier. They’re tangible, they’re there in front of you, they speak to you in ways only you will ever understand. They can never lie (unless you want them to), they don’t cheat (unless you make them). You read them, you control them, you tie them to you in ways only you and they will ever know.

Words, are whatever you want them to be. At least for the moment you read them in.

where are you?

i rarely find songs that so perfectly encompass what i’ve thought about:

He drowns in his dreams
An exquisite extreme I know
He’s as damned as he seems
And more heaven than a heart could hold
And if I try to save him
My whole world could cave in
It just ain’t right
It just ain’t right

Oh and I don’t know
I don’t know what he’s after
But he’s so beautiful
Such a beautiful disaster
And if I could hold on
Through the tears and the laughter
Would it be beautiful?
Or just a beautiful disaster

He’s magic and myth
As strong as what I believe
A tragedy with
More damage than a soul should see
And do I try to change him?
So hard not to blame him
Hold on tight
Hold on tight

Oh ’cause I don’t know
I don’t know what he’s after
But he’s so beautiful
Such a beautiful disaster
And if I could hold on
Through the tears and the laughter
Would it be beautiful?
Or just a beautiful disaster

I’m longing for love and the logical
But he’s only happy hysterical
I’m waiting for some kind of miracle
Waited so long
So long

He’s soft to the touch
But frayed at the end he breaks
He’s never enough
And still he’s more than I can take

Oh ’cause I don’t know
I don’t know what he’s after
But he’s so beautiful
Such a beautiful disaster
And if I could hold on
Through the tears and the laughter
Would it be beautiful?
Or just a beautiful disaster

He’s beautiful
Such a beautiful disaster

thoughts, that breathe and words, that burn*

* Thomas Gray, ‘The Progress of Poesy’

That line gives me shivers.

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glimpses of kindred spirithood

Moody, guilty-pleasure pursuer. Time-traveling and unabashedly opinionated book lover. Alternate reality inhabitant for life. Allergic to realism. A heart-sleeved, candle-lit rainy dinner romantic. Unapologetically snooty people-person. Ridiculously naive, permanent twelve-year-old with variable musical tastes. Incurable chocolate addict, with a penchant for movies that induce tears.

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